East End Bread

Seasonal in London

Beaugraviere

Japanese Nimono in London

READERS' COMPETITION

Disappointment in Crissier

The George And Dragon, Cumbria

Emporda

The Greenhouse

3 Paris Favourites

Read's and The Sportsman

4 London Favourites

Melbourne

Hong Kong

Singapore

Barbate

Sydney

No reservations dining

Tasmania

34, Mayfair

Quo Vadis

Chinese service

The Sportsman, Seasalter

Troisgros

San Sebastian (again)

Russian restaurateurs in London

Food, Wine and Generosity

Look back in hunger 2011 in Review

New York's Vital Ingredients

A Frenchman In Cambodia

Brunswick House Cafe

Breakfast in New York

Inis Meain

Having Ferran Adria for dinner

Jerez

First Courses

CUT - the shock of the new

Chiang Mai

Coco di Mama

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How to design a kitchen

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Hedone

Fäviken

The Bermondsey Bunch - Jose and Zucca

30 years in restaurants

New (and not so new) openings in Paris

Greek cuisine

How to be a sommelier

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Eating in Venice

Cay Tre, Soho - and its designer

Le Bernardin

Pollen Street Social

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Last Supper at El Bulli

Noma

The Young Turks

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Red Rooster, Harlem

Chinese food and wine

Black Pudding

Amsterdam

Montpellier Chapter, Cheltenham

The chefs behind London's wine bars

Dinner by Heston

Sri Lanka

Hunan, London

San Sebastian

Le Bristol, Paris

Fish at The Square

Fergus Henderson, Hotelier

Where chefs eat together

Best meals of 2010

Afghani cuisine

Three-star bread in Paris

Torrisi

Essential equipment for cooking

Restaurant Accounting

Eataly

Les Deux Salons

Phil Suarez and abc

English Game

Adria and his biographer

Seoul

Why French isn't sexy

Parma

Eating in Cataluyna

A Wine-Pricing Manifesto

Loire Valley

The Gauls of Knightsbridge

The Thrill of the Grill

Home cooking for Singaporeans

Mennula

How to cope in a recession

Frederic Simonin

Lyons

The tricky second opening

Eating near Cork

Smoking in restaurants

Tapas tomes

Singapore

Towpath, Pepito, Caravan

Berlin

Shanghai

The importance of breakfast

Budapest

Bistro Bruno Loubet

Cooking at the French Laundry

Ooh, aah Cantonese

Alice Waters

A night in Panzano

The Beckford Arms

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The Ledbury and Marcus Wareing

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5 London venues for large parties

Chefs at Christmas

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Kitchen, W8

Highlights of 2009

5 venues for New Year

5 venues for Christmas

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Monkey Bar and Le Caprice NY

Madame Troisgros

Dealing in chefs

Paris' Chinatown

Roka and Julien Philippe

Martine Saunier

Racine

Beaune, Burgundy

Eating in Napa

Waiting etiquette

Auberge in the Auvergne

Vancouver

Nick’s Italian Café, McMinville, Oregon

London restaurants and the recession

RN74, San Francisco

Polpo

Finding sustainable fish

Crabshakk, Glasgow

Terraces

Verona

Restaurants and the Crunch

Parisian Opening Hours

How to create a wine list

Gastronomy on the Seine

L'Anima

A trip to Istanbul

Pre-theatre London

Knife sharpeners

Lemonia

The Best Dim Sum In The World

Le Caprice's Personable Jesus

Menus by design

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Two Tales From Tokyo

The McDonald's Way

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The Congo in London

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Jacques Genin, Chocolate Genius

Le Repaire du Cartouche

Danny Meyer's Chicken Soups

Tokyo Taste

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Essential Ingredients

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Mrs Tee's magic mushrooms

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Itineraires

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Pre-theatre London - 2009




Pre-theatre business, the potential for a restaurant to be busy most nights a week from 6pm to 7.20pm, is something that brings a smile to the face of any restaurateur lucky enough to be close enough to a busy theatre or cinema complex.

This is not just because of the extra revenue this early evening business can bring, although this can be significant wherever the restaurant is located.

Two more subtle influences are also at play. The first is that this early evening boost of adrenalin is a great incentive to get the staff motivated. And the most switched-on restaurateurs will have trained their staff to know at what time the various curtains go up - and also what time they come down for any possible post-theatre supper business.

The second is that as nobody likes walking into a quiet, empty restaurant, this early evening buzz fills an otherwise empty room. There may be customers who decide to just stay on and talk rather than see the film while there will invariably be waiters re-setting the recently vacated tables. This activity is comforting on many fronts.

Recently, there have been three, very different, new openings close to one another in London's West End, each of which offers anyone planning to eat before the show a really good time.

The most distinctive in terms of cooking and transformation, in that it used to be a casino, is Bocca di Lupo just off Shaftesbury Avenue, the collaboration of chef Jacob Kenedy and his partner Victor Hugo.

Kenedy used to cook at Moro, the heavily Spanish-influenced restaurant in Exmouth Market, but he has now turned his obvious culinary skills to replicating all that he has eaten on his travels around Italy. But he presents his dishes most sensitively and sensibly, not only by listing them under the cooking style he has used but also by offering most of them in half- or full-size portions.

At lunch and dinner Kenedy delivers salad and fried dishes, pastas and risotto, soups, stews and main courses in this novel approach, but pre-theatre he thoughtfully also offers a range of one-bowl dishes. At the counter across from the open kitchen, this menu includes spaghetti with clams; polenta with sausage and pork ribs; and sea bream with lemon and olive oil. Filling enough for any play, however long.

Terroirs, close to Covent Garden, the English National Opera and the theatres along the Strand and Charing Cross Road, takes an equally enthusiastic but entirely French approach.

Owned in part by wine importer Les Caves de Pyrène, Terroirs seeks to emulate those wine bars in Paris where the aim is to please the customer with a wine list that is as exciting and stimulating as the menu.

This objective they achieve not only by the quality of the cooking that emanates from another open kitchen but also thanks to the ultra-friendly layout of the menu that doubles as a rectangular paper placemat. There is a section devoted to plates of charcuterie and cheese; a slightly more elaborate middle section that includes a salad of beetroot, watercress and pecorino and smoked Lincolnshire eel with celeriac remoulade; and finally in the bottom right-hand corner a section of more substantial main courses that changes daily. On the numerous times I have eaten there, I have enjoyed a dish of black pudding with eggs and wild mushrooms; Suffolk pork belly with heirloom vegetables; and red mullet with scallops and artichokes. (See here for Jancis's review of Terroirs.)

Finally, there is the new Oyster Bar at J Sheekey, a restaurant long frequented by theatre-goers because of its location between the theatres located on St Martin's Lane and Charing Cross Road, and also because of its food, predominantly fish, and highly professional service.

Now the restaurant has been extended into the former shop next door to reveal a sumptuous counter that serves with commensurate style plates of oysters, their renowned fish pie and salmon fishcakes and, for those with an excellent appetite, spotted dick with golden syrup.

Bocca di Lupo, www.boccadilupo.com

Terroirs, www.terroirswinebar.com

J Sheekey, www.j-sheekey.co.uk